Earlier influential scholars as Peter Brieger, Elisabeth Alföldi-Rosenbaum, Luba Eleen, Lisa Golombek, Robert Deshman, and Kay Openshaw helped amass a formidable collection of photographs, exhibition catalogues, and other research tools that continue to benefit students and faculty members. Resources at the University and in Toronto proper are exceptional for the study of medieval art and architecture. Dissertations currently being written by Toronto students testify to the diverse interests of the faculty, with topics covering the whole medieval period and a variety of media. Some graduate seminars focus on themes, such as patronage or pilgrimage others focus on media-related issues or locations, such as Multimedia Transmorphism or China and the Global Middle Ages. This commitment is manifest in their current research topics (see faculty pages for details) and teaching. Matt Kavaler) medieval art and architecture of the Mediterranean and cultural exchange (Jill Caskey).Īlthough their theoretical and methodological approaches vary, these professors share a commitment to close analysis of individual objects situated firmly in specific historical contexts. Cohen) medieval China and Silk Roads (Jennifer Purtle) late Gothic and early modern architecture, sculpture, and painting (E. They address the medieval world from a variety of geographical, chronological, and methodological perspectives: Early Islamic art and architecture and environmental history (Heba Mostafa) western European and Jewish art and manuscript studies (Adam S. In Art History, five faculty members are actively expanding conceptualizations of medieval art and architecture while they continue to build upon the Department’s long and distinguished history as a centre for the study of this field. Master of James IV of Scotland (Flemish, before 1465 – about 1541) Lazarus’s Soul Carried to Abraham, about 1510–1520, The J.
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